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Milab DC-196

20.375 kr (Inc. VAT)
Large diaphragm condenser microphone
A highly compact and versatile microphone offering three different polar patterns, low self-noise and excellent SPL handling.

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Specifications

Product information

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“Very versatile and refined.” – Sound on Sound

“[The DC-196] shines as a vocal mic, capturing a smooth, detailed and full-bodied sound that belies its small stature.” – AudioTechnology

The DC-196 is a versatile power tool built around the latest version of Milab’s rectangular capsule (the 2900). It offers low noise, selectable patterns (cardioid, omni, bidirectional), excellent SPL handling and an extremely smooth off-axis response – all in a very compact format. In fact, the DC-196 is one of the smallest large-diaphragm microphones ever produced.

The DC-196 shines on transient-rich sources like acoustic instruments and, thanks to the unique properties of the rectangular capsule, it excels in recording situations where a smooth off-axis response is crucial, such as string ensembles and choirs, but also stereo setups like X/Y and Blumlein where large-diaphragm microphones are usually avoided.

A matched pair of DC-196’s will fulfil the needs of even the most demanding recording engineers.

Package includes: 3227 shockmount3403 windscreen and an individual frequency graph.

The DC-196 is also available with a red Nextel coating, the DC-196 Anniversary Edition.

Specifications

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Product name

Milab DC-196

Type

Condenser

Article number

1133

Frequency response

20 to 20,000 Hz

Polar pattern

Cardioid, Omni, Bidirectional

Pre-attenuation pad

-12 dB (switchable)

Max SPL (1 % THD at 1 kHz)

132 dB

Max SPL with 12 dB pad

144 dB

Sensitivity at 1 kHz

21,5 mV/Pa (± 1 dB)

A-weighted noise level (IEC 179-A)

11 dB (typical); 12 dB (max)

Power supply

48 ± 4 V Phantom (DIN/IEC)

Current consumption

4.2 mA

Output impedance

<200 Ω

Minimum load impedance

1 kΩ

Connection

3-pin XLR

Length

145 mm

Diameter

27 mm

Net weight

230 g

Path

The DC-196 is a great all-rounder that manages to avoid adding an obvious character to the sound but also manages to avoid sounding bland. Very versatile and refined.

SOUND ON SOUND

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